Hello and welcome to thoughts on the table, the audio blog on food and food culture. Paolo here back with a recurring guest today, with me is Diana Zahuranec! Hi Diana.
Diana Zahuranec
Hi Paolo, it’s great to be back!
Paolo Rigiroli
I’m super happy to have you back, Diana, people have been commenting on your podcast – one of the most successful podcast [we had] was the one on the mediterranean diet we just had in January, this year.
Diana Zahuranec
Oh, that’s great – yeah.
Paolo Rigiroli
You know, you have this amazing ability to capture Italian culture and describe the Italians better than I would be able to do, being maybe too Italian…
Diana Zahuranec
Well, that must be the anthropologist in me that can observe.
Paolo Rigiroli
Yeah, it’s possible – you’re studying us. That’s what it is. But, anyway, Diana has been living in Italy for 4 years now and she works at Wine Pass, an online magazine on wine in the Piedmont area, correct?
Diana Zahuranec
Yes, it’s exactly correct, it’s in Italian and English, and it’s geared towards wine tourists that are coming to Piedmont.
Paolo Rigiroli
Excellent, and so wine – we can say – is pretty much your job right now, right?
Diana Zahuranec
Pretty much, yes (laughs)
Paolo Rigiroli
Which is fantastic because we finally get on the topic. So, yes, wine is defining of the Italian culture itself and I’d love talking about wine [in this podcast]. But, how did you get to be interested in wine – how did it start?
Diana Zahuranec
Well, my interest in wine naturally started over here, in Italy, because I moved here after college, therefore most of my time in the US I was younger and didn’t actually drink wine. And so I came to Italy, I went to the University of Gastronomic Sciences in Pollenzo [Piedmont] for a one-year masters program in Food Culture and Communications-
Paolo Rigiroli
That’s the Slow Food university, right?
Diana Zahuranec
Exactly, it’s the Slow Food university. And, during this year-long program, we had a lot of different kinds of classes and many of them would last just a couple of weeks because [we had several professors which] came from all over the world. And several kinds of these classes were tasting classes on salumi, or chocolate, or cheeses and there was also a tasting class on wine.
Paolo Rigiroli
Mhh, pretty tough there! (laughs)
Diana Zahuranec
Yeah (laughs)… “Difficult year” in Italy… And in these tasting classes there were black glasses set up in the classroom – they were opaque of course. Each one had a smell that you could find in a wine. And what we did we smelled these without looking inside and we would write down what we thought the scent was. Whether it was vanilla, or pineapple, or… something. And then we would look and see if we got it right. And it was incredible – the more we did it, after just a couple of lessons we started being able to identify it right away and we could even identify the same smell in the wines. And it was just incredible how much of a difference that made in tasting wines.
Paolo Rigiroli
Interesting.
Diana Zahuranec
Yeah, I don’t like how wine is often a very intimidating drink to people, because just knowing a little bit more about wine […] it makes it so much more enjoyable. And it’s not that difficult. So, that’s how I started getting interested in wine.
Paolo Rigiroli
It’s amazing. And now you work at Wine Pass, so I suppose you have been continuing to discover more and more about wine. And tasting more wines?
Diana Zahuranec
Yes, exactly. At Wine Pass I write a lot about the different wines of the region, or wine makers, or we go on itineraries for wine tourists and we write them out, we map them out, tell people where they could eat or buy a bottle of wine, and so forth. And the more I write about this, the more I learn about wines and wine makers in the region, and it’s very interesting. I’m always learning more about wine here.
Paolo Rigiroli
Yeah. I’m very interested to know if there is any differences in wine production between North America and Italy, for what you were able to observe there, in Piedmont.
Diana Zahuranec
There are huge differences! Of course I didn’t actually ever go and visit wineries in Napa, and I don’t know a ton about American wine, but I know a lot more about the differences in the American and Italian culture. And I do know… that a big difference is the size of wineries. In general, the average Piemonte winery is small – it’s a family production. I think that it goes without saying for all of Italy that a lot of the wineries here are small. You can consider a big winery to make about maybe 500 thousand bottles a year, and a really big one maybe a million bottles in a year, whereas in the United States a big winery could make several million cases, and in a case are 12 bottles of wine! So that’s a huge difference.
Paolo Rigiroli
I see, I see, so the size… Which I suppose goes with the size of the territory.
Diana Zahuranec
Yes, it does, definitely. And so that kind of gives a difference in the mentality. Because if you’re a small winery, you’re doing all the work, you’re doing everything. From the wine-making, you’re in the cellar, you’re in the vineyard. You are producing the wine, and you are promoting it too – you’re inviting guests into the wineries, so you’re doing everything. Whereas these big wineries [in the US] are great at accommodating people and making a profit off of it… because they can charge people when they come in and taste wines. These wineries in Italy, I can think of maybe one that would charge you to actually go on a tour…
Paolo Rigiroli
Well, I guess they’re proud of it. And they’re not used to having too many visitors as well, I suppose. It’s their family business. So, it’s not just a job – they will take you through and show you everything. As oppose to, you know, you [meeting] the public relations representative for the company. And maybe tours are one of the services offered – whether it’s for money or not – but it’s still just your job – right?
Diana Zahuranec
Exactly, exactly. There’s a lot of passion. It’s their life. It’s what they do all year round, all the time.
Paolo Rigiroli
Yeah, I remember my experience about Piedmont and wine is [that] my dad used to order wine from Piedmont, a place called Lu [in the Monferrato region] – a very small town. This maker was extremely small, and I remember every year we would go and he would order the wine and then he would get it shipped and then he would bottle it himself in my grandma’s basement. And, me and my brother, which we were like 8 and 4, were there to help bottling the wine. Which may sound crazy to North Americans… that kids are involved in the production… But that’s the thing – kids don’t like wine because it’s kind of an acquired taste and we were never interested… But, going back to Piedmont, I remember visiting this production and particularly the cellars – this super cool, dark place, and cool in temperature too – it was like, maybe 16 Celsius? – And then they would get a little bit of wine out of these kegs and pour it in a nice glass, and bring it upstairs, to taste it on the kitchen’s table. And this is how my dad would choose which wines to order.
Diana Zahuranec
Ohh, that’s so nice!
Paolo Rigiroli
Yeah. It was fantastic, that’s still my memory. So I’m imagining that this scales to the entire region, pretty much…
Diana Zahuranec
Yes.
Paolo Rigiroli
And, what about the process itself… the actual production. Do you know of any differences, on the technical side?
Diana Zahuranec
I don’t know a lot about the technical processes of winemaking, in the two different countries, but I do know that California uses a lot of water and irrigation, whereas in Piedmont they don’t, it’s a lot of dry cropping. As of maybe two years ago, I think, they allowed certain regions to use water in extreme droughts… but I know that in general they don’t use irrigation at all. They kind of look at [irrigation] as “forcing the plant”, you know, it’s not its natural habitat, you’re forcing it to drink water when nature wouldn’t give it to it.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
And actually this is another thing that is different between here and the US, as much as I know. This goes hand in hand with their practices in the field, which are very often organic, but not actually certified. They’re organic and they are sustainable, but they’re not certified. Because they do it out of respect for the vine and for the vineyard, they don’t try to find loopholes in organic [food] certification where they can use a little bit of one chemical, or not, but they really try not to use any chemicals at all, many winemakers don’t. So this is good news…
Paolo Rigiroli
Yes, absolutely and I noticed this in general, in Italy and Italian products, ‘organic’ (or “agricoltura biologica” as they say) is present and you can find it even in supermarkets, there’s a section on organic food, but it’s not as trendy as it is here.
Diana Zahuranec
Right.
Paolo Rigiroli
I think that in general the consensus is that there isn’t much difference with respect to regular produce and there certainly isn’t much [difference] in flavor in Italy, I find.
Diana Zahuranec
Oh, no. No, there’s not a difference in flavor at all.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Actually, the organic might even be not less flavorful, but “older” because people don’t really buy it and so the products get old quickly.
Paolo Rigiroli
Exactly. Not as fresh. Yeah. What about instead the differences in culture? What is your experience with that? How do you see Italians relate to wine?
Diana Zahuranec
Yes, that’s a very big difference from the US and Italy because wine is really a part of [the Italian’s] daily life and it always has been.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Even a glass of wine at lunch time is not looked down upon and it’s always drunk with food. It’s not really this special drink for only special people during parties or other holidays, but it’s an everyday drink that you have with your food. The difference with that in the U.S. is that I see often in movies or television shows or pictures on Instagram, for example, people will have their full glass of wine by their computer as they work.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Or they’ll have one right as they come home from work to unwind and de-stress and it’s seen … To an Italian, I think that would be like taking it out of its context. I’m not saying it’s bad to drink it like that, but it doesn’t make sense to an Italian to drink it like that. It makes sense to drink wine with food. It’s part of the meal.
Paolo Rigiroli
Yeah, appreciation of food itself is to have it with a little bit of wine and pair it. If you’re having fish, of course you’re going to prefer a white wine and red wine will go, of course, with meats and cheeses, especially hard cheeses.
Diana Zahuranec
Yes. And a lot of the times these reds, or these white wines, if you have it without food, it just isn’t the same. Piedmont is famous for having very tannic wines.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Which is tannins are that feeling on your tongue of having a dry wine. It can get a little bit tiring on your palate if you just keep drinking wine after wine.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Which I’ve noticed at different tastings with Nebbiolo, [which] is one in particular that’s very tannic. We can talk about that later, but… If you just drink this wine without having any food with it, you miss out on a lot of flavors and a lot of the enjoyment because… it’s just too much to handle, basically.
Paolo Rigiroli
Interesting.
Paolo Rigiroli
We already mentioned that you are based in Piedmont, of course, and Nebbiolo is one of the wines that you have been tasting. Would you say that that’s one of your favorites?
Diana Zahuranec
It is definitely my favorite. The favorite. It makes… several famous wines that come from Piedmont, such as Barolo and Barbaresco. But it also makes a lot of other wines, always from Piedmont, such as a Langhe Nebbiolo, there’s a Roero Nebbiolo, or different Nebbiolos from Alto Piemonte, like Boca, and Ghemme, and Gattinara.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
There’s so many, and every time you taste them, even though it’s 100% Nebbiolo grape, they all taste different.
Paolo Rigiroli
Yes.
Diana Zahuranec
They all have a very different profile, and it’s so interesting and I just love Nebbiolo. Never disappoints.
Paolo Rigiroli
All these wines are based on the same grape and they’re just aged in different ways to achieve a different product, a different wine that is a different denomination, correct?
Diana Zahuranec
Right. Or maybe people would understand more appellation? I don’t which one is used more, but that’s right. Although the differences come also from the soil or altitude.
Paolo Rigiroli
Right. Nebbiolo itself is also an appellation. It’s not just the name of a grape.
Diana Zahuranec
Right.
Paolo Rigiroli
It’s also one of my favorites, by the way. I do like that family of wines as well. I don’t like wines that are too mellow. I don’t know, if I can describe that…
Diana Zahuranec
Yeah, it’s definitely … No, it’s definitely not a mellow wine. They’re very… At the same time, they’re elegant and powerful.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
It’s hard to explain that unless you actually drink it and understand how the wine is. It’s a really great wine.
Paolo Rigiroli
Yeah, and [about] Nebbiolo, also there’s a curiosity about the name, which I happen to know. I’m sure you want to talk about it.
Diana Zahuranec
Sure. Yeah, Nebbiolo comes from the word ‘nebbia’, which means fog in Italian and it takes its name from this because the fog is a big part of the landscape in Piedmont… And Nebbiolo is a late maturing grape that has a very long growing cycle. It’s harvested whenever the mists start to roll in, in the late fall. That’s why it takes it’s name from ‘nebbia’.
Paolo Rigiroli
Fantastic. It’s always fascinating to picture it. When I think of Nebbiolo, I do see the rolling hills covered in fog. It kind of makes it really magic. It’s really cool. What about other grapes in Piedmont?
Diana Zahuranec
Oh, yes. Piedmont has a lot of different native varieties. The big ones (that actually are produced even more than Nebbiolo) are Barbera [and] Dolcetto, two big red grape varieties.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
White ones are Moscato and Arneis. Then there are lots of others. I mean, tons of these obscure names, especially in the higher hills.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
But others that you might come across, for red wines are the Verduno Pelaverga.
Diana Zahuranec
And there’s Grignolino, Ruché and Freisa, these are all red wines. And red grape names as well, the wine is named after the grape. For other whites that you may find, there’s Gavi, Erbaluce, Nascetta, and Favorita. And these are all other names that you might find around. I think, Gavi and Erbaluce for the white wines, you will find more commonly abroad than the others, but obviously the Moscato and Arneis and the big names that I’ve already named, you will be able to find those abroad.
Paolo Rigiroli
Mm-hmm (affirmative). Do you have more information on any of these wines? Like Barbera or Dolcetto?
Diana Zahuranec
Yeah, Barbera and Dolcetto are the names of the grapes and then they make a lot of different wines and you’ll find them named after like Barbera d’Alba, Barbera d’Asti. The same thing with Dolcetto and that comes from where they’re made. So ‘d’Alba’ means ‘from Alba’, ‘d’Asti’, ‘from Asti’, which is in the Monferrato, a winemaking region in Piedmont. Dolcetto, for example, you might find Dogliani. It might just be called Dogliani, even though it’s Dolcetto di Dogliani. That’s another place where it’s made, or Dolcetto di Ovada, which is a really great Dolcetto.
Paolo Rigiroli
And all these are wines which are D.O.C., as we say in Italy, so that the denomination of origin is controlled.
Diana Zahuranec
Yes.
Paolo Rigiroli
Which means that they are certified to be produced from grapes from that particular region that their appellation refers to. Is that correct?
Diana Zahuranec
Exactly. Yes, it also puts some different guarantees on the quality and the time that it’s aged.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
How many months or in what kind of material it’s aged in, wood or stainless steel. It depends of course on the wine. And then there’s D.O.C.G., which is, you could say one step higher.
Paolo Rigiroli
Yes.
Diana Zahuranec
And of course you can find wines of great quality that aren’t even certified at all.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
But this is just a general rule to figure out what those letters mean on the labels.
Paolo Rigiroli
Yeah, absolutely. I think if you’re not familiar with the wine, it’s a good thing to look for the certification because it will give you certain guarantees. Diana, it has been fantastic, of course, talking with you. It’s so fascinating and I wish really to take a tour now in Piedmont and go through all those valleys and try all the wines that you mentioned, because I do know a few of them, but I can’t say that I’m an expert, so I definitely have work to do.
Diana Zahuranec
Oh yeah, you should visit. You’re invited and anyone listening to the podcast is invited to come to Piedmont.
Paolo Rigiroli
Absolutely. You’ll take them around personally.
Diana Zahuranec
Yes (laughs).
Paolo Rigiroli
That’s what Diana is promising you (laughs).
Paolo Rigiroli
So, for you listening, if you have enjoyed this podcast, please do us a favor. Go on iTunes or whichever podcast player you use and subscribe. It really means a lot to us, and if you’re inclined, please leave a review as well on iTunes. Feedback is always welcome. Leave your comments there or on the blog. We’re very happy to hear anything you may have to say and it’s really important to us. Diana, again, thank you so much. It’s been awesome.
This week’s episode concludes this series on flavor by talking about anomalies in flavor perception, how ‘tannins’ work, and by touching on the controversial theme of cultural attitude towards innards.
With over 50 liters per person per year, Italy is one of the largest wine consumers in the world. It goes without saying that wine is deeply entrenched in Italian culture. Wine is standard on the dinner table of every family and it’s generally not seen as a decadent treat, but rather as a noble complement to the meal, at par with bread. And, right next to bread, wine is even “sanctified” by being an important part of the Catholics celebrations.
Even though Italians are exposed to wine from the time they are very young, children are generally not attracted to it. This is partly due to the fact that table wines tend to be an acquired taste, and arguably also because the wine’s appeal is demystified by its wide availability. As a result, generally, there is no need for the law to regulate wine commercialization or consumption based on age. Anybody can buy wine (or any other type of alcohol, for that matter) in regular grocery shops and supermarkets. The young generations, however, are nowadays getting more and more attracted to wine in a phenomenon that has seen the rebirth of ‘enoteche’. Literally meaning wine cellars, enoteche are wine-tasting bars that offer wine by the glass or by the bottle, usually along with cold cuts and cheese.
The passion for wine is big in most Italians, but excluding professional winemakers almost no Italian is interested in making their own – certainly, there are no wine kits available! This is because winemaking is considered a challenging process that is usually not worth the effort, given that in Italy basic wines are inexpensive and generally far more pleasing (to the refined average palate) than any amateur wines. Some people, however, order large quantities of wine from the makers and have it delivered to their homes by tanker. They usually store it in their own demijohns and then fill one flask at a time, or bottle it in glass bottles meant to be reused. This is a relatively common practice in certain areas, both and as a hobby and to save money on an item of everyday consumption, as wine is.
Vineyards in Tuscany
As we were saying, winemaking is complex. The process starts with the preparation of the grapes, which is different for red and for white wines. To make red wine, black or red grapes are machine crushed (no one stomps on the grapes with their feet anymore!) and allowed to have a first fermentation along with their skins. White wine is instead fermented grape juice, extracted by pressing grapes and discarding the skins. As a result, it’s technically possible to make white wines out of red grapes, though generally, this is not the case. Rosé wines are made by extracting juice from red grapes while allowing a minimal contact with their skins (and absolutely not by mixing red and white wines!) The reason why the skin makes so much difference lies in its high content of polyphenols, compared to the grape’s pulp. Not only do polyphenols affect the flavor and the color of the wine, but they are also responsible for the tannins (and the astringent mouthfeel that they bring). Polyphenols also act as antioxidants with a stabilizing effect that allows red wines to age far longer than any white wines.
The first fermentation starts when yeast is added to convert the sugars into ethanol (and CO2, which is released into the air), a process that usually takes a couple of weeks. If this transformation is incomplete, some of the sugars contained in the grapes remain in the must and the resulting wine will be sweet (the fermentation can be interrupted by lowering the temperature or by adding chemicals to kill the yeast). Wines then undergo a second fermentation: a bacterial process meant to reduce the wine’s acidity. White wines are generally fermented in stainless steel containers, whereas reds can be transferred to wood kegs to absorb additional flavors. To obtain sparkling wines, a third fermentation takes place inside of the bottle, where CO2 is trapped.
Because of their different composition, red wines and white wines have unique properties and different uses. White wines usually have a lower percentage of alcohol (10-12%), they are consumed slightly chilled (around 10 °C) and are paired up with appetizers, delicate first courses, white meats, and particularly fish and seafood. Red wines have instead generally higher alcohol content (11-14%), they are consumed at room temperature, or slightly below it (around 18 °C) and are paired up with strong first courses, aged cheeses, and red meats. Both white and red wines are also fundamental in cooking, and, generally, they are not interchangeable.
Most commercial wines are sold “ready to drink” and are not meant to be stored for a long time. Aging wine is a very difficult process that requires perfect conditions of temperature and humidity, conditions that can’t be easily achieved without proper equipment or environment. Storing wine is instead relatively easy: wine bottles should be kept away from direct sunlight and laying on their side to keep the cork wet (a dry cork will shrink and let some air into the bottle). Once opened, some wines need to rest briefly in a decanter both to allow sediments to deposit and to promote some “aeration.” Though slightly controversial, aeration is considered beneficial to “soften” strong red wines, reducing the harshness of their tannins. Aeration is generally not recommended for white wines and more delicate reds as it may disperse some of their aromas and is never recommended for sparkling wines.
Main types of wine glasses
Wine is best appreciated in proper stemware. The stem allows the wine to maintain its temperature by ensuring minimal contact with the hand of the person holding it. Red wines are generally served in larger glasses, with wide openings to allow for more aeration (large surface of contact between wine and air). White wines require less aeration and are usually tasted in taller, narrower glasses that also help the wine better maintain its temperature. Sparkling wines are instead served in very narrow and tall glasses (called flûtes) to reduce the contact with the air and keep the bubbles inside and towards the nose of the person drinking it.
Before introducing a list of the main Italian wines, let’s go over the denominations recognized by law:
Table wines that don’t follow naming regulations. Generally, these are lower quality wines where the grape and the year of production are not indicated on the label. In some cases, however, table wines can have very high quality and be sought by connoisseurs that don’t need any official certifications.
IGT – Table wines with Indicazione Geografica Tipica. The grapes are certified to come from a geographical area where the named grape is typical. Currently, there are about 120 wines under this category.
DOC – Wines with Denominazione di Origine Controllata. The exact location of the origin is certified. In Italy, there are currently about 300 DOC wines.
The law also specifies which qualifiers can be appended to the name and their exact meanings:
When a wine’s name contains the word ‘Classico‘ (e.g. Chianti Classico), the wine is guaranteed to be made in the core of its typical region. All ‘Classico’ wines are DOC or DOCG.
The word ‘Riserva‘ can only be used on wines that have been aged more than the time strictly required by their denomination. The label must show the year of production.
When a wine’s label shows the word ‘Novello‘, the wine is guaranteed to have been bottled within the end of the year of when (at least 30% of) its grapes have been harvested. The label must show the year of the vintage.
The qualifier ‘Superiore‘ can only be used to indicate a wine whose alcohol level is greater by at least 1% than the minimum established for its designation.
Finally, here is a list of some of the most renowned Italian wines. Many of them are named after the grapes that they are made of (highlighted in bold). Some other wines, instead, have their own unique names, usually to reflect their areas of origin.
Amarone -Veneto-, e.g.: Amarone della Valpolicella [DOCG]. Like the actual Valpolicella, it’s made with a grape called Corvina after it has been partially dried out (in a process called ‘passito’) to increase its sugar level and consequently the alcohol level of the wine (up to 15% and higher). Amarone is a well-known wine that improves when aged and can get quite expensive.
Barbaresco [DOCG] -Piedmont-. High-quality wine made with Nebbiolo grape, aged at least 2 years in kegs, and with an alcohol level of 12.5%. Its color is ruby with a burgundy tint, with a full body and hints of spices and bitter almond. It’s usually at its best after aging for 10 or more years.
Barbera -Piedmont-, e.g.: Barbera d’Alba [DOC], Barbera d’Asti [DOCG], Barbera del Monferrato [DOC], Barbera del Monferrato Superiore [DOCG]. Barbera is the most common grape in Piedmont, its wines are intensely ruby in color, quite dry and with relatively high acidity that decreases with aging.
Barolo [DOCG] -Piedmont-. Considered the best Italian wine, Barolo is made with Nebbiolo grape, like Barbaresco, but is aged at least 3 years, 2 of which in oak or chestnut kegs. With a minimum alcohol level of 13%, Barolo reaches its best characteristics after 10-20 years. It’s burgundy in color, full-bodied, complex and balanced in flavor, with berries and violet inflections and a spice aftertaste. Barolo can reach astronomical prices.
Brachetto-Piedmont-, e.g.: Brachetto d’Acqui [DOCG]. Brachetto is a grape used to make a red dessert wine. Sweet red wines are not very common, aside from Brachetto the only other renowned one is the somewhat similar Fragolino. The commercialization of Fragolino is however illegal in the European Union because it’s made with a grape not indigenous to Europe (called Concord grape, ‘uva fragola’) – it’s however sold in Switzerland, because not part of the EU.
Brunello di Montalcino [DOCG] -Tuscany-, made with the Sangiovese grape. Brunello di Montalcino is bright ruby in color, with dry strong tannins. It is aged a minimum of 4 years. It’s younger version is called Rosso di Montalcino [DOC], more fruity and with more moderate tannins.
Chianti [DOCG] and Chianti Classico [DOCG] -Tuscany-, made with a blend of grapes including Sangiovese and Malvasia. One of the most famous Italian wines in the world, Chianti has a dark ruby color, with burgundy hints, a very balanced dry and just slightly tannic flavor that turns more velvety with aging. It used to be known for being bottled in the typical ‘fiasco‘ (nowadays, however, this is no longer the case).
Dolcetto -Piedmont-, e.g.: Dolcetto d’Asti [DOCG], Dolcetto d’Alba [DOCG], Dolcetto d’Acqui [DOC]. The name means ‘cute little sweet’ and refers to the fact that the Dolcetto grape grows very easily and produces good everyday’s wines. Its flavor is fruity with hints of almonds and bitter herbs.
Grignolino -Piedmont-, e.g.: Grignolino del Monferrato [DOCG], Grignolino d’Asti [DOCG]. Grignolino has a light ruby color and a dry flavor, just slightly bitter.
Lambrusco, e.g.: Lambrusco Salamino di Santacroce [DOC] -Emilia-Romagna-, Lambrusco Mantovano [DOC] -Lombardy-. Lambrusco wines are sparkling, either dry or semi-sweet and have intense fruity perfumes and rich flavors, with low acidity and alcohol levels; their color is dark ruby, with violet foam. Lambrusco is usually enjoyed chilled and paired up with pasta and white meats.
Malvasia Bianca, e.g.: Malvasia di Grottaferrata -Lazio-, Malvasia di Cagliari [DOC] -Sardinia-, Malvasia delle Lipari -Sicily-. Malvasia Bianca is the most common variety of the Malvasia grape, used in the production of many white wines (including Frascati [DOC]). White Malvasia has a full body and fruity/nutty inflections. A red version (Malvasia Nera) also exists.
Marsala [DOC] -Sicily-. Marsala is a fortified wine similar to Port, made by adding ‘Grappa’ (an alcoholic beverage made by distillation of wine press residue) to elevate the alcohol level to about 20%. Different varieties exist (golden, amber, ruby), made with different Sicilian grapes.
Montepulciano-Abruzzo-, e.g.: Montepulciano d’Abruzzo [DOC], Montepulciano d’Abruzzo Colline Teramane [DOCG]. The Montepulciano grape produces intense dark wines, with moderate acidity and low tannins.
Moscato, a grape grown all throughout Italy used for making sweet, lightly sparkling or sparkling dessert wines. E.g.: Moscato d’Asti [DOCG] -Piedmont-, moderately sparkling, golden in color and Asti Spumante [DOCG] -Piedmont- sparkling, light yellow in color.
Nebbiolo -Piedmont-, the grape used to make several DOCG wines, including Barbaresco, Barolo, and Nebbiolo d’Alba [DOCG]. The wine commercialized under the name Nebbiolo is the youngest of all three, with a minimum aging of 1 year and a minimum alcohol level of 12%.
Prosecco, e.g.: Prosecco di Conegliano Valdobbiadene [DOCG] -Veneto-. Prosecco is a dry, very sparkling wine (‘spumante’ in Italian, which means foaming). Considered the Italian (cheaper) substitute of Champagne, can go from slightly sweet to very dry (‘brut’).
Sangiovese, e.g.: Sangiovese di Romagna [DOC] -Emilia-Romagna-. The Sangiovese grape is also used in the production of several renowned wines, including Chianti, Brunello di Montalcino, and Rosso di Montepulciano.
Tocai, e.g.: Tocai Friulano Colli Orientali del Friuli [DOC] -Friuli-Venezia Giulia-. The grape is related to Sauvignon Vert, light yellow with hints of green in color, and hints of bitter almond flavor.
Trebbiano, e.g.: Trebbiano d’Abruzzo [DOC] -Abruzzo-, Trebbiano di Romagna [DOC] -Emilia-Romagna-. Trebbiano, pale in color and relatively light in flavor, is the most common white Italian wine. It’s used used to make several DOC wines including Orvieto [DOC] -Umbria-.
Valpolicella [DOC] -Veneto- made with Corvina grape and a blend of other red grapes. A very balanced wine, with inflections of almonds and spice.
Verdicchio -Marche-, e.g.: Verdicchio di Matelica [DOCG], Verdicchio dei Castelli di Jesi [DOCG]. The name comes from the word ‘verde’ (green). The wines made with Verdicchio grape have relatively high acidity and a nutty flavor.
Verduzzo – e.g.: Verduzzo Piave [DOC] -Veneto-, Verduzzo Friulano Colli Orientali del Friuli [DOC] -Friuli-Venezia Giulia-. Like for Verdicchio, the name also comes from ‘verde’ (green). Verduzzo wines are dry and slightly sparkling (‘frizzanti’).
Vermentino -Sardinia, Liguria, Piedmont-, e.g.: Vermentino di Sardinia [DOC], Vermentino di Gallura [DOCG] -Sardinia-. Vermentino is light yellow in color, with slight hints of green. Its flavor is dry, fresh, slightly sour and with a moderately bitter aftertaste.
Vernaccia, the name of several unrelated grapes, used in the production of many important wite wines, e.g.: Vernaccia di San Gimignano [DOCG] -Tuscany-, Vernaccia di Oristano [DOC] -Sardinia-, Vernaccia di Serrapetrona spumante [DOCG] -Marche-.
Cantucci with Vin Santo
Vin Santo, dessert wine usually made with Trebbiano and Malvasia grapes, e.g.: Vin Santo del Chianti [DOC], Vin Santo del Chianti Classico [DOC], Vin Santo di Montepulciano [DOC] -Tuscany-. The name ‘santo’ (which means holy in Italian) possibly comes from the fact that it was typically used during the mass. The wine’s elevated sugars and alcohol level is obtained by allowing the grapes to dry out before fermenting. A common way to enjoy Vin Santo is to pair it up with almond biscotti called Cantucci, according to the Tuscan tradition.
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